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Aerial cinematography

Aerial cinematography for film, series and commercials in Spain.

An aerial unit that works like any other department on set: aerial cinematography, piloting and camera operation, with the system each shot calls for.

Check availability →

01

What we shoot

  • Features and series

    Establishing shots, chases and action sequences from the air for Spanish and international drama.

  • Commercials and brands

    Automotive, fashion, luxury and travel campaigns where the shot has to live up to the brand.

  • Documentary

    Agile, low-footprint operations with lightweight systems when the shoot calls for it.

  • TV and streaming

    Series, reality shows and entertainment formats for broadcasters and platforms, including across several seasons.

02

How we operate

Every shoot starts with knowing whether the shot can be done, where, and on what timeline.

  1. 01

    Feasibility

    We review the location, the UAS geographical zone and the shot you are after before we confirm the day.

  2. 02

    Permits and paperwork

    We handle all the flight paperwork ourselves. Lead times depend on the zone: we tell you when we check the location.

  3. 03

    Coordination with production

    We agree timings, take-off area and safety with production and locations.

  4. 04

    On set

    A live feed for the whole set and a clear flight plan for the whole crew.

03

Fleet

The shot picks the system. Open each one to see what it is for and what it carries.

01

Heavy lift

Freefly Alta XFull cinema cameras and lenses in the air.

For when the aerial has to cut with your A camera: same sensor, same colour science, same glass. It carries zooms and long lenses that a lightweight drone cannot.

Cameras
ARRI Alexa Mini, RED, Sony Venice
Lenses
Cinema primes and zooms
Payload
Up to 15 kg
Max take-off weight
34.9 kg
Diameter with props
2,273 mm
Flight time
Around 22 min with a 10 kg payload
Operation
Dual control: pilot and camera
Lighting
Also flies the Stratus LED lighting system (see Aerial lighting)

Heavy lift in detail →

02

DJI Inspire 3

Zenmuse X9-8K Air · full frameFull-frame 8K, rigged in minutes.

For fast-moving shoots: several setups a day, tight locations or shots that need speed. The full-frame image cuts cleanly with cinema cameras in the edit.

Sensor
Full frame, 8K
Lenses
DL 18, 24, 35, 50 and 75 mm
Formats
ProRes RAW, CinemaDNG, ProRes 422 HQ
Top speed
94 km/h
Flight time
Up to 28 min
Take-off weight
4.31 kg
Wind in flight
Up to 14 m/s
Operation
Dual control: pilot and camera
03

Mavic 4 Pro and Mavic 3 Cine

DJI · Hasselblad 4/3Compact kit that moves fast and quietly.

For documentary, remote locations, scouting and shots where size and discretion matter. Up in minutes, with almost no footprint on set.

Sensor
4/3 Hasselblad on both
Mavic 4 Pro
100 MP · 6K/60 HDR · 4K/120 · 360° gimbal
Tele lenses (Mavic 4 Pro)
70 and 168 mm
Mavic 3 Cine
5.1K/50 · DCI 4K/120 · Apple ProRes 422 HQ · 1 TB SSD
Flight time
Up to 51 min (4 Pro) and 46 min (3 Cine)
Take-off weight
1,063 g and 895 g
04

FPV

Cinelifter, cinewhoop and racingSpeed, proximity and interiors.

Chases, low tracking shots, flying through gaps and interiors: continuous moves a conventional drone cannot make. From cinelifters carrying cinema cameras to sub-250 g drones.

Configurations
Raptor with gimbal, Protek 60 with ducted props, 5" cinewhoop, 5" racing, sub-250 g mini
Cameras
RED Komodo, Alexa Mini, Sony, Blackmagic, GoPro
Lenses
Lightweight primes · Laowa 9 and 14 mm
Top speed
Up to 160 km/h
Flight time
2 to 10 min depending on setup
Operation
FPV pilot, plus camera operator on the gimbal rig

FPV in detail →

05

Aerial lighting

Stratus LED 2x2 · Freefly Alta XA light source that flies and follows the action.

For night exteriors: moonlight, backlight or fill where a crane or tower cannot reach. The light goes at the height and angle your DoP wants, and can move during the take.

System
Stratus LED 2x2 Array
Output
100,000 lumens, the equivalent of a 10 kW HMI
Emitters
4 × 150 W LED (600 W total)
Weight
2.1 kg
Control
Dimmable from the ground via R/C or DMX-512
Platform
Freefly Alta X
Uses
Moonlight, backlight, fill, tracking the action
Advantage
No cranes or towers at hard-to-reach locations
Operation
Coordinated with the DoP and the lighting crew

Manufacturer figures and our own configurations. Real flight time depends on payload, wind and temperature.

04

Production questions

Which cameras can you fly?

From the DJI Inspire 3 with its full-frame 8K sensor up to Alexa Mini, RED or Sony Venice on heavy lift. Final configuration depends on lenses and schedule.

Do you work outside Mallorca?

Yes. We shoot all over Spain and have worked in Portugal and Norway.

Can you fly in a city or near an airport?

It depends on the geographical zone and the type of operation. We check each location and tell you what is feasible, and on what timeline, before you lock the day.

What do you need from production?

Exact location, dates and times, the shot or references, and who will be on set inside the flight area.

How much notice do you need?

It depends on the location and the airspace. Get in touch as soon as you have dates and location and we will give you a specific lead time.

Tell us the shot.

Dates, location and what you need to solve. We come back with feasibility and a proposal.

Send a brief →